By Geraldine Brodie,Emma Cole
Translating for functionality is a tricky – and hotly contested – task.
Adapting Translation for the Stage offers a sustained discussion among students, actors, administrators, writers, and people operating throughout those barriers, exploring universal subject matters and matters encountered while writing, staging, and getting to know translated works. it's organised into 4 components, every one reflecting on a theatrical style the place translation is often practised:
- The position of Translation in Rewriting Naturalist Theatre
- Adapting Classical Drama on the flip of the Twenty-First Century
- Translocating Political Activism in modern Theatre
- Modernist Narratives of Translation in Performance
A variety of case reports from the nationwide Theatre’s Medea to The Gate Theatre’s Dances of Death and Emily Mann’s The apartment of Bernarda Alba shed new mild at the inventive techniques inherent in translating for the theatre, destabilising the literal/performable binary to indicate that edition and translation can – and do – coexist on degree.
Chronicling the numerous attainable intersections among translation idea and perform, Adapting Translation for the Stage deals a distinct exploration of the strategies of translating, adapting, and moving paintings for the theatre.
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Adapting Translation for the Stage (Routledge Advances in Theatre & Performance Studies) by Geraldine Brodie,Emma Cole