Aesthetics of Negativity: Blanchot, Adorno, and Autonomy by William Allen PDF

By William Allen

ISBN-10: 0823269280

ISBN-13: 9780823269280

Maurice Blanchot and Theodor W. Adorno are one of the such a lot tough but in addition the main profound thinkers in twentieth-century aesthetics. whereas their tools and views fluctuate broadly, they percentage a priority with the negativity of the paintings conceived by way of both its adventure and probability or its serious expression. Such negativity is neither nihilistic nor pessimistic yet matters the prestige of the paintings and its autonomy in terms of its context or its event. For either Blanchot and Adorno negativity is the most important to figuring out the prestige of the paintings in post-Kantian aesthetics and, even though it exhibits how paintings expresses serious percentages, albeit negatively, it additionally indicates that artwork bears an irreducible ambiguity such that its which means can regularly negate itself. This ambiguity takes on an extra fabric value whilst thought of relating to language because the negativity of the paintings turns into aesthetic within the additional experience of being either good and experimental, and in doing so the language of the literary paintings turns into a sort of considering that allows materiality to be proposal in its ambiguity.

In a sequence of wealthy and compelling readings, William S. Allen indicates how an unique and rigorous mode of pondering arises inside of Blanchot’s early writings and the way Adorno’s aesthetics is dependent upon a relation among language and materiality that has been extensively missed. additionally, by way of reconsidering the matter of the self sufficient murals when it comes to literature, a critical factor in modernist aesthetics is given a better severe and fabric relevance as a style of pondering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers basically make sure the demanding situations and the chances that literary autonomy poses to thought.

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Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen


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