By William Allen
In a sequence of wealthy and compelling readings, William S. Allen indicates how an unique and rigorous mode of pondering arises inside of Blanchot’s early writings and the way Adorno’s aesthetics is dependent upon a relation among language and materiality that has been extensively missed. additionally, by way of reconsidering the matter of the self sufficient murals when it comes to literature, a critical factor in modernist aesthetics is given a better severe and fabric relevance as a style of pondering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers basically make sure the demanding situations and the chances that literary autonomy poses to thought.
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Additional resources for Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy)
Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen