By Paul Gordon
The notion of art's inherent relation to absolutely the, first explicitly rendered through Kant, is tested in significant works from 1790 to 1823. the 1st and final chapters, on Plato and Nietzsche respectively, care for precursors and "post-cursors” of this concept. Gordon exhibits and seeks to reddress the shortcoming of cognizance to this concept after Hegel, in addition to in modern reassessments of this era. Art because the Absolute can be of curiosity to scholars and students learning aesthetics from either a literary and philosophical perspective.
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Additional info for Art as the Absolute: Art's Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer
Art as the Absolute: Art's Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer by Paul Gordon